Great news for Deadwood fans – a movie version’s out! The HBO TV series vividly traced the history of Deadwood, South Dakota, from a rough-and-ready 1870s mining camp into a thriving small town, bawdily showing how civil society and functioning politics can overtake a lawless state of nature. The May 31 release of the new Deadwood movie enabled Robert Herritt to reflect on its deeper themes in The New Atlantis. “Deadwood inverts a certain rationalist picture of the social and political — of top-down, technocratic deliberation as the ideal of proper action,” Herritt writes. In recognizing reason as subordinate to the exigencies of life, Deadwood subtly presents a Burkean philosophy. That’s certainly one explanation for the aptly named Swearengen’s continuous F-word eruptions.

Keeping the AI Apocalypse at Bay
Writing in City Journal, Judge Glock examines legal efforts to control AI and dismisses the current fixation on suing for specific harms, such as bad advice. “The idea that we should treat Big Tech, including AI companies, like we treated Big Tobacco, is exactly the wrong idea,” he observes. A better approach is to assess product liability based on which parties can perform the task at the cheapest cost, as is the case with the regulation of medical equipment. This “has the benefit of putting the onus on companies themselves to game out dangerous scenarios and prevent them,” he advises. For more on AI, see this C2C article.


