Also in The American Conservative, Nora Kenney observes further pushback against the wokist inversion-of-everything in the recently released horror movie Weapons. Director Zach Cregger upends the wokist fashion of valorizing “otherness” (which, hence, also normalized criminality while criminalizing normality). Cregger’s straight, white, male, blue-collar protagonist does so convincingly enough to embolden Kenney to call Weapons part of a “post-woke cultural shift”.
Racial Quotas by Algorithm
Allum Bokhari, writing in The American Conservative, illuminates a Colorado state bill claiming to create “a shield against ‘algorithmic discrimination’” that would force AI companies to generate outputs based on government-imposed racial, and other identity-based, quotas. As with past variants of reverse discrimination, asserts Bokhari, Colorado’s AI bill amounts to thinly disguised leftist ideology aimed at institutionalizing the very harm it claims to ameliorate.
