Also in The American Conservative, Nora Kenney observes further pushback against the wokist inversion-of-everything in the recently released horror movie Weapons. Director Zach Cregger upends the wokist fashion of valorizing “otherness” (which, hence, also normalized criminality while criminalizing normality). Cregger’s straight, white, male, blue-collar protagonist does so convincingly enough to embolden Kenney to call Weapons part of a “post-woke cultural shift”.

Bad Mom? Bad Wife?
The Massachusetts trial of Lindsay Clancy for killing her three young children (recently declared a mistrial) became a litmus test for couples – with some publicly breaking off engagements due to disagreements over her culpability. Writing in The American Mind, Evie Solheim ponders the malign influence of social media on the marriage decision for younger generations. “When men and women treat existence as a zero-sum game, everyone loses,” she writes, pleading for greater understanding between the sexes. For more on marriage, see this C2C article.


