Also in The American Conservative, Nora Kenney observes further pushback against the wokist inversion-of-everything in the recently released horror movie Weapons. Director Zach Cregger upends the wokist fashion of valorizing “otherness” (which, hence, also normalized criminality while criminalizing normality). Cregger’s straight, white, male, blue-collar protagonist does so convincingly enough to embolden Kenney to call Weapons part of a “post-woke cultural shift”.
Yay Brexit!
Brendan O’Neill in Spiked enthuses that Brexit is superior to just about anything else in the world. “There should be street parties” on the 10th anniversary of the popular vote to withdraw from the EU, he writes. “Let the bells peal for that momentous day when in our millions we said No to globalism.” The continuing surfeit of saboteurs and naysayers among Britain’s “idiot elites”, O’Neill snorts, are gripped by Brexit Derangement Syndrome.
