Squid Game has proved Netflix’s biggest show so far, with over-the-top violence, melodrama – and politics. And guess which way those lean? In Spiked, Brendan O’Neill cheerfully trashes the show’s über-cliché state of anti-capitalist rhetoric and the reality that such entertainment facilitates a passive, performative identity for woke Western elites.

The Frigid Isle
Íris Erlingsdóttir shines a light on the world’s first wholly feminized state. Women, she writes in The European Conservative, run everything in Iceland: “the presidency, the prime minister’s office…[the] national state church…schools, municipalities, police…newsrooms and [the] ever-expanding public bureaucracy.” As for the men, Erlingsdóttir observes, they describe themselves ruefully as (bad-taste alert) “pussy-whipped.”


